top of page
.jpg)
Features
A sixteenth-century wet nurse at Florence’s Innocenti hospital. A drawing academy that accepted women painters as early as 1616. A city saved by the foreign author who made it her home. A palace in ruins, and the ‘mythological’ women buried under the rubble.
Our features shine a light on little-known stories and fascinating personalities. Meet the women whose gestures, big and small, create a mosaic of female heritage. Keep up with our favourite stories here. These blog-style features inspire our bi-annual magazine.
Blue prints: Anna Atkins’ Cyanotype Impressions
"As a skilled botanical illustrator, Anna was part of a largely invisible community of women whose significant contributions to scientific advancement have gone mostly unnoticed." By Margie MacKinnon Originally published in RESTORATION CONVERSATIONS magazine SPRING/SUMMER, Issue 9 Anna Atkins, Carix (America), c. 1848-1853, George Eastman House International Museum of Photography and Film, Rochester, New York In 1842, scientist John Herschel coined the term ‘cyanotype’ to d
The Illusion of Time: Major retrospectives for photographer Ruth Orkin
Until July 2026, the retrospective exhibition Ruth Orkin: The Illusion of Time is on show in Bologna’s Palazzo Pallavicini, following major European exhibitions over the last five years, in France, Spain, Portugal, Hungary and several other stops in Italy. By Linda Falcone Originally published in RESTORATION CONVERSATIONS magazine ISSUE 9 SPRING/ SUMMER 2026 Ruth Orkin, Jinx and Justin in MG, Florence, Italy, 1951, courtesy of © Ruth Orkin Photo Archive This interview begins
It Runs in the Family: The Legacy of the Nicholson Women
Relative Ties, the current exhibition at the Women’s Art Collection (WAC) at Murray Edwards College in Cambridge, explores the work of four women of the Nicholson family. By Margie MacKinnon Originally published in RESTORATION CONVERSATIONS magazine SPRING/SUMMER, Issue 9 EQ Nicholson, Runner Bean, c. 1950, wallpaper, © Estate of EQ Nicholson, private collection Relative Ties, the current exhibition at the Women’s Art Collection (WAC) at Murray Edwards College in Cambridge, e
Forces to be reckoned with
Renaissance Women: From d’Este to Dunant By Eleanor Walker Originally published in RESTORATION CONVERSATIONS magazine Spring/Summer 2026 - Issue 9 Renowned British author Sarah Dunant is known for her writing featuring strong, independent women in important Renaissance centres. Rubens (after Titian), Isabella in Red, c. 1605, Kunsthistoriches Museum, Vienna. Source: Wikipedia From In the Company of the Courtesan, and Sacred Hearts, to In the Name of the Family and The Birth o
Other Gardens: Elena Salvini Pierallini
By Linda Falcone Originally published in RESTORATION CONVERSATIONS magazine ISSUE 9 SPRING/ SUMMER 2026 Elena Salvini Pierallini, From the ‘Murabile’ wall series, Still Life with Onions and Bananas, detail, 1995, ph. ESP From ‘upright’ artbooks to time-lapse photographic series and larger installations, Florentine artist and photographer Elena Salvini Pierallini – known as ESP – produced a multi-faceted oeuvre, that was more than fifty years in the making. From June 15 to Sep
Back from the brink
The restoration of Artemisia’s Hercules and Omphale, the dramatic backstory By Margie MacKinnon Originally published in RESTORATION CONVERSATIONS magazine Autumn/Winter 2025 - Issue 8 Getty’s senior conservator of paintings Ulrich Birkmaier cleans the surface of Hercules and Omphale , from Sursock Palace Collections © 2022 J. Paul Getty Trust Artemisia Gentileschi’s Hercules and Omphale , the star of the Getty Museum in Los Angeles’s exhibition, Artemisia’s Strong Women: R
The Medici Are Dead
Violante Siriès’ success in a changing art market An interview with Giulia Coco by Linda Falcone Originally published in Restoration Conversations Issue 8 Autumn/Winter 2025 Maria Theresa of Austria’s husband Francis Stephan decided to stay in Vienna with his wife in 1737, despite being proclaimed head of the Grand Duchy of Tuscany. Europe’s more powerful states had refused to recognise Anna Maria Luisa, the last of the Medici line, as the territory’s legitimate ruler, bec
‘Artist and Friend of the Poor’
Personal Reflections on Sarah Cecilia Harrison By Anne Chisholm In the tall house in Hampstead where I grew up hung a number of large, dark portraits in gold frames. The only one that caught my eye was that of a beautiful dark-haired woman, her lips parted, wearing a slightly decollete black dress. My mother told me that it was a portrait of my Irish grandmother, Eliza Beatrice Harrison, painted for her engagement to my English grandfather, Hugh Chisholm, by her younger sis
Marie-Clémentine, Maria and Susanna
Becoming Suzanne Valadon By Margie MacKinnon Originally published in RESTORATION CONVERSATIONS magazine Autumn/Winter 2025 - Issue 8 Suzanne Valadon, 1923, The Violin Case, Musée d’Art Moderne de la Ville de Paris. Source: Wikipedia Suzanne Valadon’s life reads like a paperback novel, with a plot that takes the heroine from obscurity to notoriety and, belatedly, much deserved acclaim. Its setting is Montmartre, the bohemian centre of turn-of-the-century Paris, and the cast of
Header photo: Fiora Leone, The Sun in Florence detail, Florence Civic Museums.
bottom of page