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Infranco and Gulacsy see art as a quest By Linda Falcone Originally published in RESTORATION CONVERSATIONS magazine Spring/Summer 2026 - Issue 9 On mornings at Il Palmerino, as soon as the weather improves, many a landscape artist from various corners of the globe, come to capture its gardens, immortalised on page by author Vernon Lee, and on canvas by painter Lola Costa, successive owners of the Tuscan estate, over the course of 115 years between them. In Autumn, still-lif

Renaissance Women: From d’Este to Dunant By Eleanor Walker Originally published in RESTORATION CONVERSATIONS magazine Spring/Summer 2026 - Issue 9 Renowned British author Sarah Dunant is known for her writing featuring strong, independent women in important Renaissance centres. Rubens (after Titian), Isabella in Red, c. 1605, Kunsthistoriches Museum, Vienna. Source: Wikipedia From In the Company of the Courtesan, and Sacred Hearts, to In the Name of the Family and The Birth o

Exhibitions, performances, lectures and a community art event on Elena Salvini Pierallini's book art, in venues with a history for women's achievement Throughout her more than sixty-year career, Tuscan artist Elena Salvini Pierallini (1934–2024) produced an eclectic oeuvre largely comprised of embroidery, photography and book art. Monographic and pop-up exhibitions featuring the artist’s work are planned in several Florentine venues this summer, in addition to dance performa

Photo Gallery for the Exhibition at Cultural Association Il Palmerino THIS PHOTO GALLERY IS UNDER CONSTRUCTION

The catalogue 'Relative Ties', an exploration of the Nicholson women’s artistic legacy across three generations, highlighting matrilineal influence, creative collaborations, textiles, and painting. Relative Ties highlights the work of three generations of women artists from the illustrious Nicholson family—Mabel Nicholson, Nancy Nicholson, EQ Nicholson, and Louisa Creed—and explores what women inherit from their mothers, what can be passed down matrilineal lines, and the impo

This catalogue was published to accompany the exhibition Ketty La Rocca, held at the Estorick Collection in 2025. Born in La Spezia, La Rocca moved to Florence in 1956 where she began working with the avant-garde collective Gruppo 70. Her initial experiments included works of visual poetry and collages that explored the pervasive influence of the mass media on daily life, with a particular focus on gender issues and socio-political themes. During the early 1970s, she turned t