

Notable Women
Profiles of two female composers featured in 'Scoring Suffrage' at the Florence Lyceum by Margie MacKinnon A supermoon illuminated the...


The Colour is Brown
Curator Sergio Risaliti speaks ‘Cecily’ at Museo Novecento An Interview by Linda Falcone Ph. Mark Hartman, Portrait of Cecily Brown,...


Close encounters
A conversation with violinist Ruth Palmer By Margie MacKinnon Ruth Palmer in 'Scoring Suffrage at Florence's Lyceum, ph. by Marco Berni...


“You oughta be in pictures”
Banca d’Italia showcases 75 years of women in art By Linda Falcone The entrance to Towards Modernity, with a glimpse of Salvatore Lega's...


Sharing Silk
An Interview with Elena Baistrocchi General Director, Arte della Seta Lisio Foundation Romantic velvet, Fondazione Arte della Seta Lisio...


Murders and marriages
Catherine de’ Medici goes ‘full circle’ By Linda Falcone From Restoration Conversations Magazine Issue 3, Spring/Summer 2023 Francesco...


All About Joan
Reflections on the Monet–Mitchell exhibition at Fondation Louis Vuitton by Margie MacKinnon From Restoration Conversations Magazine Issue...


From Courtesans to Conceptual Artists
Women in the frame at London’s re-vamped National Portrait Gallery By Margie MacKinnon From Restoration Conversations Magazine Issue 3,...


Friends and Strangers
Portraits by Alice Neel and Lynette Yiadom-Boakye By Margie MacKinnon From Restoration Conversations Magazine, Issue 3, Spring/Summer...


Before the Selfie
A few words on women’s self-portraits By Margie MacKinnon From Restoration Conversations Magazine, Issue 3, Spring/Summer 2023 Rolinda...


‘More Bill’, many Kennedys
A spotlight on Elaine de Kooning from ‘Restoration Conversations’ with art collector Christian Levett Restoration Conversations:...


“A tender ardour”
Julia Margaret Cameron by Linda Falcone Calcutta-born British photographer Julia Margaret Cameron (1815-1879) was about my age when she...


The ‘archive angel’ and new music from the Renaissance
Musica Secreta’s Laurie Stras on women’s voices By Margie MacKinnon Musica Secreta, ph Kate Beaugié “I’ve made it my musicological life...


“I am becoming somebody”
Paula Modersohn-Becker at the Royal Academy of Art by Margie MacKinnon Paula Modersohn-Becker, Girl with Child, 1902, Kunstmuseum Den...


A Labour of Love
Iris Origo and the transformation of La Foce by Margaret MacKinnon It did not seem like a marriage made in heaven. The groom, Antonio...


An introduction to three ‘New Women’ photographers
Andrea Nelson is curator of the exhibition 'The New Woman Behind the Camera', and associate curator in the Department of Photographs at...


'The Innocents of Florence'
An interview with David Battistella A 600-year-old painting leads two art conservators in Florence on a journey uncovering the city's...


A is for Florence's Accademia delle Arti del Disegno
Throughout its multi-century history, there have been a considerable number of women painters at the AADFI, the first of whom was...


Life among the ruins
Margie MacKinnon interviews Mary Cochrane on restoration and rebuilding in Beirut, following the blast that damaged the Sursock family...


Artemisia
An interview with curator Letizia Treves. Meet 'Artemisia', the exhibition and the woman who inspired it. One of the most dynamic...
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